In the opening of Touch of Evil there is a immediate close
up shot of the bomb device. Following this close up, the scene progresses, as
the use of the crane shot seems to progress and follow the action in the
particular frame of the scene. The camera angels are varied because the camera
movements and camera angles are varied to give the sense of suspense within the
scene.
The use of a close up shot of a person setting the bomb
could connote how something tragic is about to happen and gives an insight into
the expectations of the narrative as a whole. After the activation, the use of
a tracking shot is evident, as the camera seems to follow the assassin planting
the bomb in the car boot, which could be an enigma code, as the audience could
wonder why the assassin is planting the bomb and who he intends to assassinate.
This means the audience are interacting in the films narrative by questioning
what s happening.
Although he is the villain, the audience are encouraged to
identify with him in the form of tracking shots, as we are seemingly following
him and realise his motives and intentions, for example setting a bomb, and planting
it. Shortly after this, a crane shot is used to show how the car is significant
in the result of the scene. And the audience start to contradict the outcome
and future of the carnage.
Immediately, the scene cuts to an establishing shot of the
town, the use of a high angle shot is used to show how other charters are
unaware of what is about to happen. By using these shots, we are encouraged to
identify with the villain, as we are seemingly observing the plan in action.
The use of long shots and medium shots are used to show how
the car is being positioned intentionally in a public place within the town, in
order to target the people to which the bomb was intended for.
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